Crichton's writing here is crisp and fast-paced, nearly as wry and taut as Dashiell Hammett. “Drug of Choice” (1970) foreshadows “Jurassic Park” and “The Lost World.” A heroic scientist uncovers the secrets of a new island resort designed by bioengineers under the guidance of a murky company, Advance Biosystems. Article: At a glance: The John Lange books.and the sort of variables no computer can fathom.” The complication: three beautiful women with agendas of their own. The blurb on the back cover defines Crichton's fixation in a manner both succinct and lurid: “The edge: every aspect of the scheme has been simulated on a computer, down to the last variable. Crichton sets three skillful criminals on a path to rob a luxury Spanish hotel. His first Lange novel, “Odds On” (1966), is a perfect example. In them, Crichton developed his writing skills and his singular preoccupation with runaway technology, scientific ethics and the impossibility of effectively calculating human behavior.
MICHAEL CRICHTON SPHERE DEATHS PROFESSIONAL
The Lange novels, which had been out of print for decades, were pulpy heist and adventure tales, not as polished and professional as his later work. Many of the books were written while Crichton was an honors student at Harvard Medical School. Hard Case Crime has released eight of Crichton's early novels, which were published between 19 under a pseudonym, John Lange.
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Now we know they developed even earlier than previously thought. What's interesting about this is how early these themes developed in Crichton's work. Wells' “The War of the Worlds” on its head rather than aliens being felled by exposure to Earth's bacteria, Crichton feared the consequences of humans dying from exposure to space-borne bacteria brought back by satellites and space probes. “The Andromeda Strain” (1969) turned H.G.
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Similar themes play out in Crichton's other work. How can they control nature when they cannot control their own thoughts? The assumptions they make prove uniformly wrong, and when disaster strikes, the enemy is not an outside force but rather manifestations of the experts' unconscious minds. A team of highly educated people - a marine biologist, a mathematician, a physicist and a psychiatrist - investigates an otherworldly sphere discovered in a mysterious craft buried in the ocean's floor.
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The latter directly assails the smug surety of science and the validity of the psychosocial disciplines. The gates and fences are an artificial construct attempting to circumvent nature, and nature inevitably wins. In the former, scientists re-create dinosaurs from corrupted DNA, calling into question both the genetic accuracy of the creatures and - as the giant zoo erected to contain the dinosaurs fails - the wisdom of creating them in the first place. While many of Michael Crichton's novels occupied themselves with scientific hubris and the inability of humankind to control the forces of nature, none approached the subject as directly as his “Jurassic Park” novels and “Sphere.”